That same volume is available for free in digital format in the library. The print version has essentially been “remastered” to clean up yellowed pages and remove stains and marks of age; all original color pages are presented in color. Additionally, its spiral binding allows it to lie flat for easy use while you follow the mimeographing lessons.
It’s pretty snazzy! If you’ve ever wanted a step-by-step guide to plunk down on your work table while you figure out stencils and ink and what all the parts of the mimeograph machine are called, I think you’ll really like it.
More recently I “catalogued” the advertisements and sales brochures currently available in the library after having uploaded some twenty or more documents scanned by Kevin B. from his physical collection.
A similar list has been compiled for the collection found on the Service and Instruction Manuals page (a collection that has also been filled out by Kevin’s generous efforts).
Both lists reveal significant additions since my last update post.
Nearly 40 documents have been uploaded to the site, thanks to Mimeograph Revival reader Kevin B. who scanned them from his collection. They include advertisements, sales catalogs, and instruction and parts manuals from popular manufacturers ranging from AB Dick and Heyer to Rex Rotary and Roneo, and including less widely known machines from Banda, CopyRite, and Ellams.
On the back end of the site, a few things have been reorganized in the “projects” section in preparation for eventual print works. The duplicating project got started with a hurrah once my fax-machine woes got sorted out, but then I got slammed with a big series of work projects just as I was figuring out that my Heyer Lettergraph Model D has a likely impression-roller issue.
The next few weeks will have me assessing whether this is the case and deciding if I need to get the roller refurbished – possibly making it time for me to review the work needed on the Heyer Model 1770 and see if I can get it running even though it’s got scars from its battle with the USPS.
I also made up a gelatin duplicator (hectograph) and used it to make a few dozen prints of the cover for the project I’d started on the Model D. A post is forthcoming with more details on that.
In addition, I’m considering putting together a print-on-demand book or two of some of the documents available here. If that’s something of interest to anyone else, please let me know!
Meanwhile, the comments sections of various pages and posts are little treasure troves of useful information provided by MR readers with years of mimeograph experience. It is rather inconvenient that they’re scattered all over the place, so I wonder if a dedicated forum would be something other mimeo enthusiasts would like to see (maybe especially those who don’t want to be involved with facebook or who can’t access it from their country).
Please leave a comment here if any of these things sound useful to you!
It’s been quiet here at Mimeograph Revival, but there’ve been things going on behind the scenes and on some of the site’s far-flung pages.
On the Resources page, you’ll find a link to the Made in Chicago Museum’s exploration of A. B. Dick history, as well as a link to Rachel Simone Weil’s clever use of a label printer to make postcard-sized stencils that she then prints by hand (screen-print style) – written in tutorial style, so go check it out and expand the use of your label printer if you’ve got one. Her sample shows great detail (better than what I’ve gotten from a tattoo-stencil-printer, anyway).
Recent commenter Sherrinford chimed in with a novel stencil-making technique utilizing electro-etching paper and a typewriter. You’ll find that comment on the Contact page.
Likewise, Kevin, a commenter who’s well-versed in things-mimeo, has shared a few tips over on the Heyer Model D page. In addition, he’s graciously been scanning original mimeograph advertisements and documents to share with Mimeograph Revival. Two Gestetner ads have already been posted to the library’s advertisement page, and two manuals (one for Roneo and one for Standard’s Rocket Spirit Duplicator) have been uploaded to the manuals page.
In the next few weeks more documents will be added to the library and, fingers crossed, some more experimenting with the thermal stencils and maybe a hectograph will occur here at the MR studio.
It’s been a little slow on the mimeo-front lately – mostly because the snafu with the fax machines took some of the wind out of my sails. A new tattoo-stencil printer has arrived, however, and I’m at the point where I’ve got a few things for which I’m ready to attempt stencil creation. I’m starting with postcards so I can use the Lettergraph Model 60 first. Speaking of the Model 60, I found a pristine and likely-unused machine. Its superb condition helped me figure out how to disassemble my gunked-up one. Pictures coming soon.
While I don’t have much to report on my own duplicating endeavors, a few things have been added to the website. First, two great new documents – both are detailed instructions for creating stencils and running them off on a mimeo-machine – are now available in the digital library, courtesy of Northwestern University Library’s special collections where they were scanned and offered to Mimeograph Revival for sharing with a wider audience. Both are to be found under the A. B. Dick heading in the manuals section.
In addition, several catalogs/advertising brochures were added to the digital library, here. Look for the PDFs under the brands Geha, Gestetner, and Multistamp.
In other mimeo-news, Rich Dana’s Kickstarter-funded book Cheap Copies, has started shipping. It’s a beaut and a must-have for anyone interested in old-timey and hybridized self-pub-printing. Find Rich’s contact info on his site.
Well, to be more accurate, I hadn’t thought as deeply of “the times” as I ought to have whenever I’d come across my dad’s broken stopwatch. I just carted it around, move through move, in a collection of memorabilia – the physical manifestations and prompters of memory that make their way with me physically and temporally.
I remember when the stopwatch worked – probably up through at least the 1980s or early 90s. I don’t recall when it stopped. The plastic has been cracked for a long time. I kept it because it had been my dads and it reminded me of his years as a pilot, and I remembered playing with it when I was a kid, timing how long I could hold my breath and how long it took me to skate around my elementary school on weekends.
One day, early this year, I came across it again and several things fell into my mind at once: one of the last remaining businesses in our dead mall is a watch-repair shop staffed by an older Vietnamese man. His business partner holds down the cash register-counter across from him, the two separated by a low bin of imported plastic “straw” hats, cheap white teddy bears, and plastic and chrome toy cars. The watch repairman gathers customers from those who need their watch batteries replaced, but he also fixes analog watches and clocks.
It occurred to me that he’s not getting any younger, the mall is not guaranteed to remain open to continue to host him, and who in the world younger than these men in their 60s is having anything to do with watch repair?
I hurried over with my small family treasure and he said he’d get it back to me in about six weeks. I felt relieved. I’d gotten there in time! On the downslope of our civilization and in spite of societal turbulence, something would be repaired and restored to be made available for the future – when there’d be no guarantee of finding someone with the requisite skills, knowledge, or network of learning, tools, or parts.
He didn’t call me, as I thought he would, so about eight weeks after dropping it off, I swung by and made my way through the cavernous, partially-lit, and echo-y mall. I handed him my claim check, explained what I was there for, and he said, “Ah,” and turned to the drawer where he extracted the small envelope containing my watch. He slid it out of the envelope and I saw that the plastic was still cracked. He said, “I could not find anyone who manufactures the mainspring anymore, I’m sorry.”
I may yet find a way to repair this stopwatch, but it’s absolutely not a guarantee. I have family in Germany, and Germans seem to be among those who repair small machines or practice old, skill-requiring crafts. Perhaps, if travel ends up in our cards, I could take it there. Or maybe I could look around in one of the big cities not far from where I am. That’s likely to be an expensive endeavor, but I might decide it’s worth it.
I don’t have any better reason for that than the one I give here – maybe it will be of use to someone some day. I think that’s as good a reason as any to do things, to think about the benefits we might convey to those who are to come, rather than thinking of all the ways we can amass more, now.
So, this vintage-stopwatch predicament probably sounds as familiar to you as it does to me: an older technology, a few people who know how to use/repair/maintain it, a few (hopefully) spare parts somewhere… and some sort of disruption/disjunction/discontinuity in connecting those things because we’ve moved a bit too far “into the future” and that future has cut off certain necessary tendrils of possibility, the connective “tissue” so to speak. And so we witness things falling apart and cannot wish them back together.
A while back, I posted about a fax machine I’d gotten to serve as a thermal-stencil printer. New, in-box, and never used, it seems to have suffered from a slow battery drain over the years (and there is some corrosion is visible outside that compartment) and that’s affected its memory. It seems to not remember its functions – the buttons beep and do little else. Now and again I can get a varied response from it if I try some secret-code combination of opening the paper compartment and pushing either the “stop” or “copy” buttons. Once I got a reduced copy of an original, but repeating the pattern afterward didn’t get a response.
I’ve called a few fax-repair shops and none of them have even heard of this model and they’re not sure what I should do. One did suggest a battery replacement, though it’s a bit complex and requires soldering parts in – and wouldn’t be a guaranteed fix.
There are a series of parallels here, just under the surface, that have to do with a degraded power source and the resource issues that direct our collective energy and our energy use, with the machine’s lost memory and the loss of collective memory around particular technologies and their repair, and with the soldered and corroded connections and the broken connections between last-of-their-kind repairmen and the parts they once could get.
I struck out with another fax machine. It would probably work as a sending-fax, but its thermal printer is only spotty (and that, only after it spent 24 hours with “wait a moment” on the LCD screen). Luckily I’m still within the return/refund window for this one, unlike the first one. I’m still waffling over the cheap tattoo stencil printers. The reviews online are mixed: “plugged it in and smoke poured out,” “it worked for about three stencils,” “great purchase.”
Until I decide something, I can’t move forward with any of my hoped-for projects. I’ll keep looking and evaluating, but in some ways, the clock is ticking.
May 24, 2021: I’ve reorganized the digital library so that all entries are now categorized by manufacturer name, then by date in which they were added to Mimeograph Revival (newest at the top). This should make it easier to find what you’re looking for. I just uploaded information on the Copy-Rite and Rex-O-Graph brands of spirit duplicator – mostly to the manuals section, but one Rex-O-Graph catalog is in the advertisements and catalogs section.
May 06, 2021: Instructions accompanying the Heyer Model 60 Postcard Printer included in the digital library, Service & Instruction Manuals section. A few links added to that section.
May 03, 2021: The “Wizard of Menlo Park” advertisement and Heyer Catalog 64B (from 1964) uploaded to the digital library, Advertisements & Catalogs section.
April 29, 2021: I’ve created new subsections under the digital Mimeograph Library menu-heading, one of which is Images. New line drawings of a variety of A. B. Dick mimeograph machines have been added to that page.
Before I can get into any cleaning/repairing/restoring, I need a place to undertake such activities. Before I have a place, I have two four dozen boxes of books to move out of the garage. Before I move them, I have to build a bookshelf. Before I build it, I have to paint the rest of the boards and cut the all-thread rods. Before I do that, I have to move the other mimeograph machine (and a companion-piece) off the saw-horses where they’re airing out (nevermind, I worked around them) because they smelled terribly of cigarette smoke when they arrived. Before I move them, I have to get the last of the April seeds planted in the garden before I lose my window of opportunity. Before I finish the planting, I have to finish editing the last chapter and a bibliography of a manuscript and return it to its author.
So, your patience is appreciated. I’m working on it!
(Update, May 6: I only need to move the boxes of books (and unpack, catalog and shelve them and then I’ll have a space in the garage to work.)
In case it wasn’t obvious, this site is brand-spanking new. I’ll admit up front that I’m brand-spanking new to the world of mimeographs as well. Don’t let that turn you off, though! I have some (hopefully) useful things planned for this site, not limited to the following:
I’ll be recording my repairs and renovations for others to use as reference for their own projects.
A section related to mimeograph supplies is forthcoming.
The mimeograph library will make hard-to-find publications and images available digitally.
The blog will keep abreast of the activities of mimeograph users and fans to help cultivate connections and access.
And more? I’m still brainstorming and coming up with ideas, so, yes, possibly more.
Thanks for visiting – and if there’s something you’d like to know about, drop a comment and I’ll do what I can to help.